Medieval perceptions
In England the Viking Age began dramatically on 8 June 793 when Norsemen destroyed the abbey on the island of Lindisfarne. The devastation of Northumbria's Holy Island shocked and alerted the royal courts of Europe to the Viking presence. "Never before has such an atrocity been seen," declared the Northumbrian scholar Alcuin of York.
Norse Mythology, sagas, and literature tell of Scandinavian culture and religion through tales of heroic and mythological heroes. Early transmission of this information was primarily oral, and later texts relied on the writings and transcriptions of Christian scholars, including the Icelanders Snorri Sturluson and Sæmundur fróði. Many of these sagas were written in Iceland, and most of them, even if they had no Icelandic provenance, were preserved there after the Middle Ages due to the continued interest of Icelanders in Norse literature and law codes.
The 200-year Viking influence on European history is filled with tales of plunder and colonisation, and the majority of these chronicles came from western European witnesses and their descendants. Less common, though equally relevant, are references to Vikings in chronicles that originated in the east, including the Nestor chronicles, Novgorod chronicles, Ibn Fadlan chronicles, Ibn Rusta chronicles, and brief mentions by Photius, patriarch of Constantinople, regarding the first Viking attack on the Byzantine Empire. Other chroniclers of Viking history include Adam of Bremen, who wrote, in the fourth volume of his Gesta Hammaburgensis Ecclesiae Pontificum, "there is much gold here (in Zealand), accumulated by piracy. These pirates, which are called wichingi by their own people, and Ascomanni by our own people, pay tribute to the Danish king." In 991, the Battle of Maldon between Viking raiders and the inhabitants of Maldon in Essex was commemorated with a poem of the same name.
Post-medieval perceptions
Early modern publications, dealing with what is now called Viking culture, appeared in the 16th century, e.g. Historia de gentibus septentrionalibus (History of the northern people) of Olaus Magnus (1555), and the first edition of the 13th-century Gesta Danorum (Deeds of the Danes), by Saxo Grammaticus, in 1514. The pace of publication increased during the 17th century with Latin translations of the Edda (notably Peder Resen's Edda Islandorum of 1665).
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| Saxo Grammaticus |
In Scandinavia, the 17th-century Danish scholars Thomas Bartholin and Ole Worm and the Swede Olaus Rudbeck used runic inscriptions and Icelandic sagas as historical sources. An important early British contributor to the study of the Vikings was George Hickes, who published his Linguarum vett. septentrionalium thesaurus (Dictionary of the Old Northern Languages) in 1703-05. During the 18th century, British interest and enthusiasm for Iceland and early Scandinavian culture grew dramatically, expressed in English translations of Old Norse texts and in original poems that extolled the supposed Viking virtues.
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| Olaus Rudbeck |
The word "viking" was first popularised at the beginning of the 19th century by Erik Gustaf Geijer in his poem, The Viking. Geijer's poem did much to propagate the new romanticised ideal of the Viking, which had little basis in historical fact. The renewed interest of Romanticism in the Old North had contemporary political implications. The Geatish Society, of which Geijer was a member, popularised this myth to a great extent. Another Swedish author who had great influence on the perception of the Vikings was Esaias Tegnér, a member of the Geatish Society, who wrote a modern version of Friðþjófs saga hins frœkna, which became widely popular in the Nordic countries, the United Kingdom, and Germany.
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| Esaias Tegnér |
Fascination with the Vikings reached a peak during the so-called Viking revival in the late 18th and 19th centuries as a branch of Romantic nationalism. In Britain this was called Septentrionalism, in Germany "Wagnerian" pathos, and in the Scandinavian countries Scandinavism. Pioneering 19th-century scholarly editions of the Viking Age began to reach a small readership in Britain, archaeologists began to dig up Britain's Viking past, and linguistic enthusiasts started to identify the Viking-Age origins of rural idioms and proverbs. The new dictionaries of the Old Norse language enabled the Victorians to grapple with the primary Icelandic sagas.
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| Viking revival |
Until recently, the history of the Viking Age was largely based on Icelandic sagas, the history of the Danes written by Saxo Grammaticus, the Russian Primary Chronicle, and Cogad Gáedel re Gallaib. Few scholars still accept these texts as reliable sources, as historians now rely more on archaeology and numismatics, disciplines that have made valuable contributions toward understanding the period.
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| Cogad Gáedel re Gallaib |
In 20th-century politics
The romanticised idea of the Vikings constructed in scholarly and popular circles in northwestern Europe in the 19th and early 20th centuries was a potent one, and the figure of the Viking became a familiar and malleable symbol in different contexts in the politics and political ideologies of 20th-century Europe. In Normandy, which had been settled by Vikings, the Viking ship became an uncontroversial regional symbol. In Germany, awareness of Viking history in the 19th century had been stimulated by the border dispute with Denmark over Schleswig-Holstein and the use of Scandinavian mythology by Richard Wagner. The idealised view of the Vikings appealed to Germanic supremacists who transformed the figure of the Viking in accordance with the ideology of a Germanic master race. Building on the linguistic and cultural connections between Norse-speaking Scandinavians and other Germanic groups in the distant past, Scandinavian Vikings were portrayed in Nazi Germany as a pure Germanic type. The cultural phenomenon of Viking expansion was re-interpreted for use as propaganda to support the extreme militant nationalism of the Third Reich, and ideologically informed interpretations of Viking paganism and the Scandinavian use of runes were employed in the construction of Nazi mysticism. Other political organisations of the same ilk, such as the former Norwegian fascist party Nasjonal Samling, similarly appropriated elements of the modern Viking cultural myth in their symbolism and propaganda.
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| Richard Wagner |
Soviet and earlier Slavophile historians emphasized a Slavic rooted foundation in contrast to the Normanist theory of the Vikings conquering the Slavs and founding the Kievan Rus'. They accused Normanist theory proponents of distorting history by depicting the Slavs as undeveloped primitives. In contrast, Soviet historians stated that the Slavs laid the foundations of their statehood long before the Norman/Viking raids, while the Norman/Viking invasions only served to hinder the historical development of the Slavs. They argued that Rus' composition was Slavic and that Rurik and Oleg' success was rooted in their support from within the local Slavic aristocracy. After the dissolution of the USSR, Novgorod acknowledged its Viking history by incorporating a Viking ship into its logo.
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| Rurik |
In modern popular culture
Led by the operas of German composer Richard Wagner, such as Der Ring des Nibelungen, Vikings and the Romanticist Viking Revival have inspired many creative works. These have included novels directly based on historical events, such as Frans Gunnar Bengtsson's The Long Ships (which was also released as a 1963 film), and historical fantasies such as the film The Vikings, Michael Crichton's Eaters of the Dead (movie version called The 13th Warrior), and the comedy film Erik the Viking. The vampire Eric Northman, in the HBO TV series True Blood, was a Viking prince before being turned into a vampire. Vikings appear in several books by the Danish American writer Poul Anderson, while British explorer, historian, and writer Tim Severin authored a trilogy of novels in 2005 about a young Viking adventurer Thorgils Leifsson, who travels around the world.
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| Erik the Viking |
In 1962, American comic book writer Stan Lee and his brother Larry Lieber, together with Jack Kirby, created the Marvel Comics superhero Thor, which they based on the Norse god of the same name. The character is featured in the 2011 Marvel Studios film Thor and its sequels. The character also appears in the 2012 film The Avengers and its associated animated series.
The appearance of Vikings within popular media and television has seen a resurgence in recent decades, especially with the History Channel's series Vikings (2013), directed by Michael Hirst. The show has a loose grounding in historical facts and sources, but bases itself more so on literary sources, such as fornaldarsaga Ragnars saga loðbrókar, itself more legend than fact, and Old Norse Eddic and Skaldic poetry. The events of the show frequently make references to the Völuspá, an Eddic poem describing the creation of the world, often directly referencing specific lines of the poem in the dialogue. The show portrays some of the social realities of the medieval Scandinavian world, such as slavery and the greater role of women within Viking society. The show also addresses the topics of gender equity in Viking society with the inclusion of shield maidens through the character Lagertha, also based on a legendary figure. Recent archaeological interpretations and osteological analysis of previous excavations of Viking burials has given support to the idea of the Viking woman warrior, namely the excavation and DNA study of the Birka female Viking warrior, within recent years. However, the conclusions remain contentious.
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| Lagertha |
Vikings have served as an inspiration for numerous video games, such as The Lost Vikings (1993), Age of Mythology (2002), and For Honor (2017). All three Vikings from The Lost Vikings series-Erik the Swift, Baleog the Fierce, and Olaf the Stout-appeared as a playable hero in the crossover title Heroes of the Storm (2015). The Elder Scrolls V: Skyrim (2011) is an action role-playing video game heavily inspired by Viking culture. Vikings are the lead focus of the 2020 video game Assassin's Creed Valhalla, which is set in 873 AD, and recounts an alternative history of the Viking invasion of Britain.
Modern reconstructions of Viking mythology have shown a persistent influence in late 20th- and early 21st-century popular culture in some countries, inspiring comics, movies, television series, role-playing games, computer games, and music, including Viking metal, a subgenre of heavy metal music.
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| Viking mythology |
Since the 1960s, there has been rising enthusiasm for historical reenactment. While the earliest groups had little claim for historical accuracy, the seriousness and accuracy of reenactors has increased. The largest such groups include The Vikings and Regia Anglorum, though many smaller groups exist in Europe, North America, New Zealand, and Australia. Many reenactor groups participate in live-steel combat, and a few have Viking-style ships or boats.
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| Historical Reenactment |
The Minnesota Vikings are a professional American football team based in Minneapolis. They compete in the National Football League (NFL) as a member club of the National Football Conference (NFC) North division. Founded in 1960 as an expansion team, the team began play the following year. They are named after the Vikings of medieval Scandinavia, reflecting the prominent Scandinavian American culture of Minnesota. The team plays its home games at U.S. Bank Stadium in the Downtown East section of Minneapolis.
Experimental archaeology
Experimental archaeology of the Viking Age is a flourishing branch and several places have been dedicated to this technique, such as Jorvik Viking Centre in the United Kingdom, Sagnlandet Lejre and Ribe Viking Center [da] in Denmark, Foteviken Museum in Sweden or Lofotr Viking Museum in Norway. Viking-age reenactors have undertaken experimental activities such as iron smelting and forging using Norse techniques at Norstead in Newfoundland for example.
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| Lofotr Viking Museum |
On 1 July 2007, the reconstructed Viking ship Skuldelev 2, renamed Sea Stallion, began a journey from Roskilde to Dublin. The remains of that ship and four others were discovered during a 1962 excavation in the Roskilde Fjord. Tree-ring analysis has shown the ship was built of oak in the vicinity of Dublin in about 1042. Seventy multi-national crew members sailed the ship back to its home, and Sea Stallion arrived outside Dublin's Custom House on 14 August 2007. The purpose of the voyage was to test and document the seaworthiness, speed, and manoeuvrability of the ship on the rough open sea and in coastal waters with treacherous currents. The crew tested how the long, narrow, flexible hull withstood the tough ocean waves. The expedition also provided valuable new information on Viking longships and society. The ship was built using Viking tools, materials, and much the same methods as the original ship.
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| Sea Stallion |
Other vessels, often replicas of the Gokstad ship (full- or half-scale) or Skuldelev have been built and tested as well. The Snorri (a Skuldelev I Knarr), was sailed from Greenland to Newfoundland in 1998.
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| Gokstad ship |
Common misconceptions
Horned helmets
Apart from two or three representations of (ritual) helmets-with protrusions that may be either stylised ravens, snakes, or horns-no depiction of the helmets of Viking warriors, and no preserved helmet, has horns. The formal, close-quarters style of Viking combat (either in shield walls or aboard "ship islands") would have made horned helmets cumbersome and hazardous to the warrior's own side.
Historians therefore believe that Viking warriors did not wear horned helmets; whether such helmets were used in Scandinavian culture for other, ritual purposes, remains unproven. The general misconception that Viking warriors wore horned helmets was partly promulgated by the 19th-century enthusiasts of Götiska Förbundet, founded in 1811 in Stockholm. They promoted the use of Norse mythology as the subject of high art and other ethnological and moral aims.
The Vikings were often depicted with winged helmets and in other clothing taken from Classical antiquity, especially in depictions of Norse gods. This was done to legitimise the Vikings and their mythology by associating it with the Classical world, which had long been idealised in European culture.
The latter-day mythos created by national romantic ideas blended the Viking Age with aspects of the Nordic Bronze Age some 2,000 years earlier. Horned helmets from the Bronze Age were shown in petroglyphs and appeared in archaeological finds (see Bohuslän and Vikso helmets). They were probably used for ceremonial purposes.
Cartoons like Hägar the Horrible and Vicky the Viking, and sports kits such as those of the Minnesota Vikings and Canberra Raiders have perpetuated the myth of the horned helmet. Viking helmets were conical, made from hard leather with wood and metallic reinforcement for regular troops. The iron helmet with mask and mail was for the chieftains, based on the previous Vendel-age helmets from central Sweden. The only original Viking helmet discovered is the Gjermundbu helmet, found in Norway. This helmet is made of iron and has been dated to the 10th century.
Barbarity
The image of wild-haired, dirty savages sometimes associated with the Vikings in popular culture is a distorted picture of reality. Viking tendencies were often misreported, and the work of Adam of Bremen, among others, told largely disputable tales of Viking savagery and uncleanliness.
Use of skulls as drinking vessels
There is no evidence that Vikings drank out of the skulls of vanquished enemies. This was a misconception based on a passage in the skaldic poem Krákumál speaking of heroes drinking from ór bjúgviðum hausa (branches of skulls). This was a reference to drinking horns, but was mistranslated in the 17th century as referring to the skulls of the slain.
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| Drinking Horns |
Genetic legacy
Margaryan et al. 2020 analyzed 442 Viking world individuals from various archaeological sites in Europe. They were found to be closely related to modern Scandinavians. The Y-DNA composition of the individuals in the study was also similar to that of modern Scandinavians. The most common Y-DNA haplogroup was I1 (95 samples), followed by R1b (84 samples) and R1a, especially (but not exclusively) of the Scandinavian R1a-Z284 subclade (61 samples). The study showed what many historians have hypothesized, that it was common for Norseman settlers to marry foreign women. Some individuals from the study, such as those found in Foggia, display typical Scandinavian Y-DNA haplogroups but also southern European autosomal ancestry, suggesting that they were the descendants of Viking settler males and local women. The 5 individual samples from Foggia were likely Normans. The same pattern of a combination of Scandinavian Y-DNA and local autosomal ancestry is seen in other samples from the study, for example Varangians buried near lake Ladoga and Vikings in England, suggesting that Viking men had married into local families in those places too.
The study found evidence of a Swedish influx into Estonia and Finland; and Norwegian influx into Ireland, Iceland and Greenland during the Viking Age. However the authors commented "Viking Age Danish-like ancestry in the British Isles cannot be distinguished from that of the Angles and Saxons, who migrated in the fifth to sixth centuries AD from Jutland and northern Germany".
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| Lake Ladoga |
Margaryan et al. 2020 examined the skeletal remains of 42 individuals from the Salme ship burials in Estonia. The skeletal remains belonged to warriors killed in battle who were later buried together with numerous valuable weapons and armour. DNA testing and isotope analysis revealed that the men came from central Sweden.
Female descent studies show evidence of Norse descent in areas closest to Scandinavia, such as the Shetland and Orkney islands. Inhabitants of lands farther away show most Norse descent in the male Y-chromosome lines.
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| West Lancashire |
A specialised genetic and surname study in Liverpool showed marked Norse heritage: up to 50% of males of families that lived there before the years of industrialisation and population expansion. High percentages of Norse inheritance-tracked through the R-M420 haplotype-were also found among males in the Wirral and West Lancashire. This was similar to the percentage of Norse inheritance found among males in the Orkney Islands.
Recent research suggests that the Celtic warrior Somerled, who drove the Vikings out of western Scotland and was the progenitor of Clan Donald, may have been of Viking descent, a member of haplogroup R-M420.
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| Sviatopolk the Accursed |
Margaryan et al. 2020 examined an elite warrior burial from Bodzia (Poland) dated to 1010-1020 AD. The cemetery in Bodzia is exceptional in terms of Scandinavian and Kievian Rus links. The Bodzia man (sample VK157, or burial E864/I) was not a simple warrior from the princely retinue, but he belonged to the princely family himself. His burial is the richest one in the whole cemetery, moreover, strontium analysis of his teeth enamel shows he was not local. It is assumed that he came to Poland with the Prince of Kiev, Sviatopolk the Accursed, and met a violent death in combat. This corresponds to the events of 1018 AD when Sviatopolk himself disappeared after having retreated from Kiev to Poland. It cannot be excluded that the Bodzia man was Sviatopolk himself, as the genealogy of the Rurikids at this period is extremely sketchy and the dates of birth of many princes of this dynasty may be quite approximative. The Bodzia man carried haplogroup I1-S2077 and had both Scandinavian ancestry and Russian admixture.
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